Left to right: Tasha Lawrence, Jessica Lynn Carol, Richard Prioleau. Photo courtesy Kevin Berne. |
Though there are many political thrillers in the world of
theatre, not many describe the surreal experiences of journalists on the
campaign trail. Suzanne Bradbeer’s Confederates,
premiering at TheatreWorks in Palo Alto, uses this setting to examine the
nature of scandal, journalism’s role in modern politics, and whether it’s more
important to be first or to be right.
Three characters are present in the play: Maddie (Jessica
Lynn Carroll), the daughter of a long-shot Presidential candidate, and the two
journalists covering her and her family. Will (Richard Prioleau) has a personal
connection with Maddie, and Stephanie (Tasha Lawrence) has a Type-A personality
and a burning desire to get the scoop. Caroll portrays Maddie as likeable with
an ignorant streak, perhaps similar to the main character of Unbreakable Kimmy Schmidt. While the
play centers on Maddie’s major gaffe, the audience can safely believe that what
she did was not out of malice.
Maddie despises Stephanie and only talks to Will, who then
talks to Stephanie. This makes Will the only connection between his fellow
journalist and the woman they are both writing about. As Will, Prioleau
interprets his stage time with each of the other actors differently: He’s
collected and mature around the childish Maddie, but a little goofier and able
to deliver jokes to Stephanie when she’s around to act as a foil. Lawrence is
great at becoming the archetypical career woman as Stephanie, but adds a third
dimension to the character through her love of the political game and her
adoration of the intelligent, erudite candidate she’s covering.
Andrew Boyce’s set, modern with lots of glass and bold
colors like the set of a cable news show, is, without doubt, one of the best TheatreWorks
sets I’ve seen. It serves the needs of the production’s numerous locations,
including buses and hotel rooms, while tying everything together in something
slick and modern. This evokes the political themes of the play without beating
the audience over the head with symbolism.
With instant access to a flood of news from large, faceless
websites, it’s easy to forget the process that goes into delivering it. Confederates at Theatreworks takes a
fascinating look into this life, portraying journalists not as marionettes
holding cameras, but as real people who sometimes let their feelings get in the
way. If you enjoy plays about politics, but want a fresh perspective on the
climb to the top, Confederates is worth
a watch.
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